档案卡现场手绘记录风上下对比图
Use case: style-transfer Asset type: Vertical top-bottom comparison style transfer poster Primary request: Transform any input real photo into a "field hand-drawn archive card record style" top-bottom comparison transfer image. Input images: The input photo is the sole source of truth, using only the subject, pose, quantity, structure, spatial relationships, and confirmable colors from the photo. Scene/backdrop: The image is vertical with approximately a 3:4 ratio; the upper half completely retains the real photographic texture, original composition, and natural light of the input photo as a clear photo recording area; the lower half becomes an off-white, vintage archive card with slight fibers and old paper deckle edges. Subject: No limit on subjects, can be people, animals, buildings, street scenes, nature, vehicles, interiors, food, or common objects; extract the most recognizable subject and two or three details from the original photo, do not fix the theme to ships or ports. Style/medium: The lower half uses dark brown pen/marker lines, slight dry ink scratches, and a small amount of crayon or vintage screen-printed color blocks, like travel archive cards, field survey cards, or hand-drawn observation records on the back of old postcards; lines retain hand-drawn jitter, local repeated strokes, and uneven ink, do not make it a smooth vector illustration or a common filter. Composition/framing: The lower half reorganizes the original photo information and does not copy the original framing proportionally: scale down the subject or magnify parts into archive illustrations, arrange a small number of local detail boxes, arrows, numbers, legends, or material fields around them; leave clear off-white breathing space, the layout looks like a complete physical card. A short English title, a short field related to the photo facts, and an extremely short observation can be added, but no long paragraphs of text. Lighting/mood: The upper half is natural and real; the lower half has soft paper-surface light, a restrained vintage record feel, quiet and observational. Color palette: Based on off-white, dark brown, grey-blue, or dark red, extracting only one or two low-saturation accent colors from the original photo; do not apply a fixed yellow-blue color scheme. Materials/textures: Visible paper fibers, old card edges, slight printing misalignment, dry ink broken lines, handwritten fields, tiny numbers, and local color blocks; textures must participate in the composition, not just adding a grain filter. Text (verbatim): Only generate short titles/fields/observation sentences explicitly specified by the prompt; if the location cannot be confirmed, do not fabricate place names, dates, coordinates, brands, URLs, or long paragraphs. Constraints: The upper half must be a recognizable real original image; the lower half must be a hand-drawn archive reconstruction of the same photo content; strictly top-bottom partitioning, no side-by-side, no nine-grid, no multiple different photos, no "Original/AI" labels, no watermarks; maintain subject identity, quantity, pose, architectural structure, topographic relationship, and observation angle; the lower half must change at least two of: subject scale, cropping, information density, or spatial organization; the lower half must not be a mere isomorphic copy of the original image. Avoid: Pure color grading, common photo filters, 3D rendering, cartoon templates, irrelevant travel icons, adding people or landmarks out of thin air, fake Chinese, QR codes, long paragraphs, or over-crowded sticker collages.
About this prompt
Imagine a single vertical canvas split into two distinct halves. The top shows a crisp, lifelike photograph—clear color, natural light, the subject exactly as it appears in the source image. The bottom morphs that same scene into a field‑hand‑drawn archive card: faint paper fibers, a soft off‑white background, jotting of dark‑brown pen lines with uneven strokes, and a few shallow color blocks that echo the original palette. The division is strict: the upper 50 % preserves all photographic detail, while the lower 50 % is a creative reinterpretation. The hand‑drawing employs irregular marker lines, small text annotations, arrows, and numbered detail boxes. The color scheme pulls only a single muted accent or two from the source, respecting the vintage card look, and the composition reorganizes elements—sometimes enlarging key subjects or shrinking background details—to fit the card format. To adapt this prompt, keep the dual‑tone structure and the emphasis on maintaining original subject identity. Swap the “hand‑drawn archive card” detail for another medium, such as watercolor sketch or ink wash, if you prefer a different nostalgic feel. Retain the strict top‑bottom split; only adjust the layout density or add a minimal title, but avoid over‑text or digital filters. This keeps the effect clear while letting you play with stylistic variations.



