高端商业海报夹缝构图视觉设计框架

[Theme]: such as Scent / Form / Motion / Hydration [English Title]: such as SCENT INTERVAL [Core Subject]: such as Perfume / Fashion Character / Sneaker / Essence Bottle [Left Giant Material]: [Right Giant Material]: [Central Negative Space Atmosphere]: [Subject Position and State]: [Brand Name]: [Product Name / Series Name]: [Main Color Tone]: [Secondary Copy]: [Aspect Ratio]: 9:16 Generate a high-end commercial Editorial Design poster, using "Interval Composition". The left and right sides of the screen are entered by two giant commercial material entities respectively, and are cropped by the edges of the frame. The subjects on both sides squeeze toward the center, forming a narrow longitudinal negative space in the middle that runs from top to bottom. The central negative space is the true visual protagonist of the entire poster. The rift should not be perfectly straight, it can have a slow and natural S-shaped relationship: slightly wider at the top, tightening in the middle, and opening again at the bottom. Keep the interior clean, bright, and airy, without filling in complex backgrounds. Use [Left Giant Material] and [Right Giant Material] for the giant materials on the left and right, focusing on expressing real large-scale structures, continuous textures, and high-end commercial material feel, don't let micro-textures overwhelm the overall composition. Always follow: see the relationship between giant materials first, then see subject details. The subjects on both sides can form slight differences, for example, one side is deeper, heavier, and harder, while the other side is lighter, softer, and more translucent, avoiding complete mirroring. In the lower-middle part of the central negative space, add [Core Subject], and for the subject state use [Subject Position and State]. The subject can be a product or a person, but do not completely fill the central space; enough air must be reserved above the subject so that the "interval composition" remains clearly established. The subject can slightly cross the central negative space boundary, creating local overlapping or blocking relationships with the left and right materials, allowing the subject to truly participate in the composition rather than being simply pasted in the middle. Use large English Serif Typography: [English Title] The title spans across the left and right materials and the central negative space. Text naturally switches between light and dark colors based on the background brightness: use warm white or light-colored text in dark material areas, and use dark gray or dark ink-colored text in light rift areas. Allow material edges or the subject to slightly block parts of letters, forming a clear 2D editorial hierarchy, but maintaining overall readability. Inside the central negative space, add a smaller longitudinal Chinese title [Theme] or corresponding Chinese concept word. Use slender, restrained, modern Songti or high-end publishing fonts with an Eastern skeleton for Chinese, do not use giant brush calligraphy. Add brand information [Brand Name] and product name / series name [Product Name / Series Name], and then match it with a very small amount of secondary copy [Secondary Copy]. All small text uses small font sizes scattered along material edges or white space areas, not forming a common information box, and not adding meaningless English. Use [Main Color Tone] for the overall color scheme, keeping it low-saturation, restrained, realistic, and high-end. The image should have the temperament of a brand Campaign, fashion magazine, commercial poster, product visual, and Editorial Design. Overall visual formula: - Left and right giant materials - Central longitudinal negative space - Lower-middle core subject - Multi-layer large Typography - Large areas of low-information zones The final effect must make people first see "two giant materials pinching a bright passage" even in thumbnail state, and only upon closer look discover the subject, material details, brand information, and small text. Avoid: common e-commerce main images, subject centered and stuffed, complex backgrounds, full-screen textures, too many props, strong special effects, splashes/fire/smoke, promotional information, prices, QR codes, complex parameter tables, bright colors, strong HDR, CGI plasticity, 3D Typography, meaningless English, and over-decoration.