克里姆特风格日式美术馆艺术展览海报
Exhibition Name: [Fill in exhibition name] Character and Pose: [Appearance, hairstyle, clothing, and pose of adult character] Main Color Palette: [Main color + secondary color] Decorative Patterns: [Plants, geometric shapes, spirals, or other thematic patterns] English Exhibition Name: [Fill in English name] Subtitle: [Fill in exhibition theme] Exhibition Date: [Fill in date] Exhibition Location: [Fill in venue] Design a 9:16 vertical art exhibition poster, combining Klimt-style decorative oil painting with Japanese museum editorial layout. Output only a single full-bleed flat poster. Use an original half-body portrait of an adult character as the subject, greatly enlarging and cropping the hair, shoulders, and dress so the face forms a clear focus in the upper half. Arrange a left-leaning or right-leaning composition based on the pose to leave space for a giant title. Facial features, neck, and shoulder structures are natural, and expressions possess personality. The face is shaped through small oil painting brushstrokes of ochre, dusty pink, dark red, and cool gray, retaining interleaved warm and cool tones, exposed base colors, and edges with varying degrees of sharpness. Facial brushstrokes are finer, while hair, fabrics, and the background are more free, presenting the texture of printed art reproductions, avoiding photographic skin-smoothing, smooth digital gradients, and uniform thick impasto textures across the image. Clothing forms broad, clear large color blocks using the filled main colors, with a few folds suggesting volume, while the remaining areas gradually transition into flat decoration. Let the filled patterns extend along the shoulders, back, sleeves, or folds, locally crossing character contours to integrate with the background. Patterns vary in size and density—quiet near the face, and rich in the clothing and edge areas. Paint matte gold decorations with yellow ochre, beige, dark bronze, and black-brown, retaining color layers and fine grains. The gold area is adjusted according to the main color palette: warm gold themes can be full-bleed, while deep blue, green, or crimson themes retain concentrated color blocks. Avoid mirror-finish metal, jewelry, and 3D relief effects. Design the Chinese exhibition name into giant text with a compositional function, using slender Ming or Song typefaces with distinct thick and thin contrasts. Based on the character's position, choose a vertical alignment along the edge or a staggered horizontal and vertical layout, directly overprinting on the hair, clothing, and background. Allow a small amount of non-critical strokes to be cropped at the edges, but the main character forms must be complete and accurately discernible, without obscuring the eyes, nose, and mouth. Text colors are primarily off-white or deep black, forming a strong light-dark contrast with the background. Arrange the slender English exhibition name at the top, and directly overprint the subtitle, date, and venue at the bottom. Establish three scales: giant Chinese characters, medium-sized dates, and compact small exhibition information. Text groups share clear alignment lines without setting up an independent bottom bar. Maintain a rich density of exhibition information while ensuring text is clear and the date and venue are fully within the frame. Overall, let the volume of the character's face, the flat patterns of the clothing and background, and the giant typography work together. When viewed at a smaller size, the face, main color blocks, and exhibition name should still be immediately recognizable. Use only the filled text, do not add random foreign languages, fictional sponsors, numbering, four-pointed stars, watermarks, frames, or display mockups. If a reference image is provided, absorb its brushstrokes, font proportions, and information density to recreate the character and patterns.
About this prompt
The prompt instructs the creation of a 9:16 vertical poster that merges Klimt’s decorative oil‑paint style with Japanese museum layout conventions. An adult character occupies the top half; the hair, shoulders, and gown are enlarged so that the face becomes the focal point. Colorful yet muted brushwork in ochre, dusty pink, dark red, and cool gray gives the portrait a warm‑cool interplay, while gilded portions use matte gold, beige, and bronze layers without any metallic sheen. Text runs in two vertical scales: a giant Chinese title in a Ming‑style font and a compact English subtitle, date, and venue tucked below, all arranged to avoid covering the face. The composition leaves ample space near the top for the large characters and allows the character’s garments to become the canvas for geometric patterns that shift from soft near the head to rich near the fabric folds. To adapt this design, replace the trademark color palette with your own theme colors while keeping the intra‑color brushstroke technique. Maintain the vertical hierarchy of the text and the character height; only swap the sheet’s main title and subtitle when reusing the template for another exhibition.



