极简纸雕艺术摄影海报设计

Please turn each photo I upload into an independent high-end minimalist design poster, no multi-image stitching, each photo output separately. Use a 3:4 vertical composition overall, with the top and bottom regions strictly 1:1 in height, each occupying 50% of the frame. The upper half preserves the original photo, maintaining the subject structure, realistic texture, natural lighting, and original color atmosphere, with only slight high-end color grading to give it an artistic photography and exhibition visual quality. To fit the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed. The lower half extracts the most recognizable contours, structures, spatial relationships, and narrative features of the subject in the photo, reconstructing them into a miniature paper sculpture scene in the style of layered paper cut art / 3D papercraft diorama / architectural relief. Do not copy photo details, but retain the most core visual symbols, re-expressing them through multi-layered paper, cut silhouettes, hollow structures, and spatial layering, making the subject look like a paper art installation in a modern design exhibition. Use concise structures, precise edges, multi-layered facets, and slight spatial shadows to build a sense of three-dimensionality, not pursuing realistic 3D rendering, but presenting a lightweight texture combined with paper, architectural models, and art installations. The subject maintains a single visual center, with large areas of white space and a restrained, balanced composition. The color scheme extracts and remodulates the brightest, most vivid, and most vital colors from the top photo, rather than average color sampling. Overall increase brightness and color purity, using bright hues naturally derived from the original image such as clear sky blue, lake cyan, tender green, warm yellow, coral orange, and peach pink, with ivory white and warm beige as the main spatial background, forming a healing sensation through refreshing cool and warm relationships. The main colors are distinct but not glaring, with local warm orange, golden yellow, or pink as finishing touches. Avoid gray-dirty, old-fashioned, low-tone Morandi-style, dark brown filters, fluorescent colors, and cheap candy feelings. Minor text intervention, freely generating short titles, numbers, or miniature notes based on the subject, location, mood, or cultural meaning. Use delicate, restrained, modern fonts with an architectural editorial feel, like information labels in art exhibition signs or high-end brand visuals, naturally blending with the white space. The overall style refers to international design studios, architectural posters, art exhibition visuals, and high-end brand visual systems, presenting paper-cut space, modern Oriental aesthetics, clear colors, large areas of white space, and a high-end sense of craftsmanship. Avoid realistic CG, plastic textures, children's handicraft feel, complex backgrounds, and templated effects.