博物馆制度史极简纸艺海报
[Purpose] Museum institutional history exhibition posters [Output Form] Four independent 9:16 vertical posters [Series Visual Core] First translate institutional relationships into three to five large handmade paper color fields, then hide the real actions of miniature adult figures into cuts, paper layers, ropes, or channels. From a distance, it is large paper color fields and spatial logic; only upon close inspection are the figures, tools, and institutional actions discovered. [Common Rules] - Large paper color fields must determine the composition before figures and text. - Miniature figures and tools occupy only about 3%–6% of the frame. - Each preserves one physical node related to institutional logic. - Text contains only small amounts of information at the exhibition name, date, and venue level. - Do not stack ancient buildings, auspicious clouds, lanterns, landscapes, random calligraphy, brands, logos, or dense instructions. [Variables for Four Images] 1. Fire Prevention: Brick ochre and charcoal black paper fields are separated by a light-colored cut, miniature figures pass buckets and warning flags, one vermilion node. Title "FIRE WATCH / 防火册". 2. Ice Storage: Light ice-blue paper layers gradually go deep into dark indigo paper fields, miniature figures transport ice blocks into the storage entrance, one white cold edge serves as a node. Title "ICE STORE / 藏冰". 3. Customs: Large diagonal old sail paper fields are pierced by a continuous hemp rope, miniature figures verify registers and seal cargo boxes, grayish-green as an accent color. Title "CUSTOMS / 海关". 4. Bridge Tax: Two complementary paper banks on the left and right are connected by a narrow bridge-shaped gap, miniature figures exchange credentials on the passage, one rust-red seal as a node. Title "PASSAGE / 通行".
About this prompt
Each poster presents a single museum‑thematic scene as a large, faint paper field, with tiny, nearly invisible figures and accessories hidden in cuts and layers. The composition starts with bold, hand‑colored fields that define the spatial logic, then layers a few miniature figures in spots that reveal subtle institutional actions upon close inspection. The dominant colors are low‑contrast, blending the main color field with the cut or rope that separates it from the next. The figures occupy only a few percent of the frame, acting as isolated nodes that ground each scene. Typography is minimal—just the event title and basic information—so the visual focus stays on the juxtaposition of paper and miniature role. When remixing, keep the rule that the paper fields set the composition first; you may swap the institutional theme but retain the limited figure area and the subtle narrative found only up close, ensuring the poster remains an easy‑glance puzzle that reveals deeper meaning upon inspection.
More like this
