摄影实景转手账风格上下对比海报
Usage: Style Transfer Asset Type: 3:4 vertical editing comparison poster Input Image: A real photo to be processed, and it is the sole source of truth. Create a vertical poster with a strict top-bottom comparison. The upper half must preserve the input photo's clear, recognizable high-fidelity realistic photographic effect: subject identity, quantity, pose, shooting angle, architectural structure, landscape relationships, lighting, and main colors all remain consistent, with only slight print-grade color grading. The lower half redraws the same scene as a warm beige paper page of a travel field journal; it cannot be just a filter, nor a generic travel illustration. Use dark brown pencil and ink outlines with a slight jittery feel, uneven hand pressure, dry brush marks, a small amount of low-saturation watercolor and crayon coloring, paper fibers, erasure marks, and slight ink-bleeding effects. Compress the scene into one main subject or landmark, plus one to two environmental anchors from the original photo's facts; simultaneously change the scale and information density so it is no longer a copy of the same crop and composition. Allow the key subject or landmark to have a touch of restrained surreal cartoonishness—only when facial features or small hands and feet can naturally grow from their real shapes, add simple eyes, mouths, or small limbs. Add 2–4 small hand-drawn icons; these icons must correspond to details actually visible in the original photo. The lower half must maintain about 20%–35% continuous warm-colored paper white space around the edges. Add a small handwritten title of 1–3 English words, the fixed field "FIELD NOTE", and a short observation sentence of 5–12 English words with a slight sense of rhyme on the paper; this sentence can only be written based on facts visible in the image. These texts should look like they are written directly into the paper, not floating digital fonts. Colors are extracted from the input photo and compressed into 2–5 low-saturation colors, plus 1 accent color from the original image; do not apply fixed travel color schemes. The top-bottom boundary must be clean and horizontal. Forbidden: Left-right layout, grids, multi-photo collages, "original/AI" labels, watermarks, logos, QR codes, fake Chinese, fictional landmarks, irrelevant people, changing characters' faces or poses, missing the original photo in the top half, making the entire image cartoonized, and redrawing the original photo with the same crop.
About this prompt
The prompt creates a vertical poster that neatly divides a real photograph into two distinct halves: the top retains the original image’s realistic look, while the bottom transforms the same scene into a warm, hand‑drawn travel journal page. The mood juxtaposes authentic documentary detail with whimsical sketch‑book charm. The contrast is achieved through heavy print‑grade color grading at the top and a loose, low‑saturation watercolor and crayon palette below. Dark brown pencil and ink outlines give a jittery, uneven hand feel, with paper fibers, erasure marks, and ink bleed adding texture. The lower half compresses the composition to a single landmark with a few environmental anchors, and subtle surrealesque cartoon touches are allowed only on naturally‑exaggerated features. To adapt this style, keep the strict top‑bottom split and the printed‑grade shading of the top, but replace the travel‑journal color scheme with your own color palette. If you want less surrealism, remove the simple eyes and mouths or limit cartoon growth to the subject only.
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