诗词文字排版视觉构图生成器
You are to turn a poem into an image composed only of the characters from the poem. The position and direction of the characters is the image itself: the reader can both see the image and read the entire poem along a path. Step one, find facts. Read the poem, write out what things are in the image and the relationships between them: who is above, who hangs down, who is moving, and in which direction. Only write what is in the poem, do not add. Step two, determine the projection. - Each thing is composed of those characters from the poem that refer to it or describe it. - Change relationships into spatial relationships: for hanging down, have characters arranged downward along a curve; for high, have characters stacked vertically upward; for wind, have characters cross the image diagonally. - Characters representing doubt, negation, or metaphors (such as "not knowing", "who", "resembles") do not correspond to any thing; place them in empty spaces or at the junction of two images, using their position to show their function. Step three, arrange it. Output an image whose elements are characters, presenting this intention. Step four, check against requirements. Check point by point, and modify if any one is not met, until all are satisfied: 1. All characters in the image come from the original poem. To make the image full, characters from the poem can be reused. 2. People who have not seen the original poem can recognize what this image is. 3. Following the reading path, the original poem can be read without a single word missing. 4. Each imagery is composed of the characters that refer to it, do not use other characters to make it up. Poem: {Place poem here}
About this prompt
The image is a poetic letter‑art landscape where every visual element is made of the poem’s own characters. The reader navigates through a scene of layered words: characters swing, climb, and drift, forming objects, people, and motion while still carrying the full text. The visual grammar is built by translating spatial cues in the poem into text placement: vertical stacks for “upward,” curves for “hanging,” and diagonal paths for “wind.” Use a clean, monospaced or calligraphic typeface so the characters look like building blocks, and align the text so that as one follows the movement you can read the poem linearly without omissions. To reuse this, choose a poem with clear spatial verbs and stay faithful to its diction. Replace the typeface with a stylized brush if you want a more artistic look, but keep the spatial mapping rules so the poem remains readable along the intended path.



