真实照片与横向线条轮廓标本转绘
Create a vertical 3:4 comparison conversion page between a real photo and a horizontal contour specimen diagram. The top part preserves the real photography information of the pet, animal, or object in the input photo, accurately maintaining the subject's identity, pose, quantity, composition, and key accessories; the bottom or adjacent area performs a minimalist form translation on warm rice-white paper, retaining large areas of continuous white space. Extract the subject's outer contour, as well as the eyes, nose/mouth, ears, joints, contour transitions, or object structures, and deconstruct them into 3–8 groups of spaced horizontal parallel lines and a small number of horizontal arcs. The lines curve slightly according to the form, with staggered lengths, partial breaks, or misalignments, forming a recognizable head, torso, limbs, and key accessories; the rice-white background must be visible between the lines, and they cannot be filled as solid color blocks. Use one dark main line and a maximum of two low-saturation auxiliary color lines extracted from the original photo, colors are not fixed. Line ends can have slight hand-drawn unevenness, paper ink absorption, and pen pressure variations, but the overall style maintains the restraint of a flat design research manuscript. The photo area and the conversion area can establish a layout through wide white space, short specimen numbers, or accurate subject names. No large colored blocks, ordinary two-color posters, automatic tracing, complex cartoons, uniform horizontal lines across the page, logos, watermarks, fake Chinese, or corner marks.
About this prompt
A side‑by‑side comparison layout shows a real photograph at the top and a stylized horizontal contour diagram below in a clean 3:4 vertical format. The photo faithfully retains the subject’s pose, accessories, and color, while the lower section distills the same figure into 3–8 layered horizontal lines and arcs on white rice‑paper, using a single dark line and up to two low‑saturation accents. The lines play with slight curves, breaks, or misalignments to suggest form, and no solid blocks are used, preserving a flat, research‑style aesthetic. The design relies on stark contrast: the monochrome lines on the shiny white paper provide clarity, while the bright photographic details above provide depth. Soft hand‑drawn edges and gentle pen‑pressure variations give a tactile, realistic look, and the layout keeps generous white space around the specimen to enhance legibility. To adapt, choose a different subject that lends itself to contouring—like a pet or an object—and experiment with line density (more lines for detailed creatures) or color accents (choose tones that echo the photo). Retain the minimalist line approach to keep the visual clean; only swap the palette or background paper if you need a more vibrant or textured feel.
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