上下对比旅行转绘浮雕海报

Create a vertical 3:4 top-bottom contrast travel transformation poster. The upper half, about 40%–50%, retains the input photo itself, maintaining the number of subjects, poses of people or animals, road/building/topographic structures, observation angles, lighting, and natural colors, only performing slight publication-grade color grading; do not turn the photo into an illustration, do not replace landmarks or change people. The lower half reconstructs the same scene as a tactile, rough physical wall relief, without copying the complete photo framing. Compress key buildings, roads, guardrails, ridges, tree canopies, tabletops, or objects into layered blocks with thickness, changing the subject scale, cropping, and information density. The base material is a rough mineral-coated wall, gypsum board, pulp board, or manual cement texture, which must have particles, shovel marks, indentations, cracks, chipped edges, side thickness, and contact shadows. Select only one narrative element from the photo to overflow, such as seawater, rainwater, smoke, tree roots, vines, road edges, fabrics, or architectural components; let it extend about 5%–20% of the frame from relief gaps, holes, or the bottom edge, and possess shadows, reflections, particles, or fibers of real materials. Colors are extracted from the input photo and compressed into 3–7 types of matte mineral colors. The lower half maintains a continuous low-information empty field and includes text RELIEF, RELIEF STUDY 01, ONE MATERIAL ESCAPES THE SCENE. Do not include collages, grids, mosaics, sequins, smooth plastic 3D, digital glitches, logos, watermarks, original images, or AI image corners.